- Bernhardt Wall (American 1872 -
Bernhardt Wall (American 1872 - 1956) etching, portrait "Lloyd George", dated 1919, artist proof, pencil signed lower right, matted and framed, sight 6 7/8"h x 9 7/8"w
- A painted ceramic panel of a cottage
A painted ceramic panel of a cottage and trees, signed H Wallace, 13cm x 20cm, framed
- Hugh Wallis (1871-1943), a copper
Hugh Wallis (1871-1943), a copper charger, with gadrooned rim and deep hammered sides, the well embossed a rampant lion, impressed monogram, 38cm diameter
- HENRY WARREN, WATERCOLOR Henry
HENRY WARREN, WATERCOLOR Henry Warren (British, 1794-1879), Middle Eastern walled city, watercolor on paper, signed "H Warren" inside wall at lower left, 6.25"h x 8"w (sight), 10.75"h x 13.75"w (frame)
- Robert Wallis (British 1794-1878)
Robert Wallis (British 1794-1878) after J M W Turner/Stone Henge/steel engraving, proof before letters, 16.5cm x 23cm
- Harrison Wall Covington
(American,
Harrison Wall Covington
(American, 1924-2021)
Figure in a Landscape
collage and oil on canvas
signed Covington (lower left)
46 x 48 inches.
- Herbert Menzies Marshall (1841-1913)/Whitehall/watercolour,
Herbert Menzies Marshall (1841-1913)/Whitehall/watercolour, 17cm x 25cm
- A Victorian Flatback Staffordshire
A Victorian Flatback Staffordshire Figural of "Wallace" Measuring approx. 16-1/4"H x 7-3/4"W x 3-1/4"D, the hand painted figurine stands on a self-base with "Wallace" on the front in raised letters and accented in gilt.
- HAMILTON HAMILTON (CT/CA, 1847-1928)
HAMILTON HAMILTON (CT/CA, 1847-1928) AFTER WINSLOW HOMER (MA/ME/UK, 1836-1910) "Fog Warning", etching on paper by Hamilton after the Homer painting, signed in print and pencil by both Hamilton and Homer, with a pen & ink remarque of a barrel float by Homer, copyright 1887 by Fischel, Adler & Schwartz, New York. Housed in a silverleaf molded frame, linen mat with silver lip, under plexiglas, OS: 38" x 48", image: 20" x 31 1/2", toned.
- ROBERT ALEXANDER HILLINGFORD (BRITISH
ROBERT ALEXANDER HILLINGFORD (BRITISH 1828-1904)
CROMWELL'S TROOPS DESECRATING WELLS CATHEDRAL Signed, oil on canvas51cm x 41cm (20in x 16in)Provenance: The Bellamy Collection, County Down, Northern Ireland
- Joseph Allen Physioc painting (Columbia,
Joseph Allen Physioc painting (Columbia, South Carolina, 1866-1951), Civil War battle scene, breaching a fortification, inscribed verso "Young Pelham on 'Stonewall Jackson's Right'", signed lower left "Joseph Allen Physioc/1941", oil on canvas, 45 x 72 in.; original 20th century carved and gilt wood frame. 1 in. puncture upper left, 3 in. tear middle right, flaking, accretion, water stains verso canvas; frame with abrasions. Works of art Deaccessioned by the Columbia Museum of Art, Columbia, South Carolina, Proceeds to benefit the Acquisitions Fund.
- Harry Thomas Hall, III (1932-2010,
Harry Thomas Hall, III (1932-2010, American), illustration painter, mixed media on Masonite titled "Winter Quarters" depicting Washington's troops at Valley Forge, signed HALL: together with a paper back book titled "Winter Quarters" by Noel E. Busch. The illustration was used for the book jacket.
Illustratioon: 21" x 34" ss / 28" x 41.5" oa
- HAGENBECK Ð WALLACE CIRCUS. THE
HAGENBECK Ð WALLACE CIRCUS. THE HANNEFORDS THRILLING EQ...Hagenbeck Ð Wallace Circus. The Hannefords Thrilling Equestrianism. Erie: Erie Litho, ca. 1910s. Color lithograph mounted on board. 40 _ x 27 _". Large area chipped right side, many other losses, discolorations, and scattered heavy wear. Poor.
- STEPHEN SEYMOUR THOMAS (AMERICAN,
STEPHEN SEYMOUR THOMAS (AMERICAN, 1868-1956)Stephen Seymour Thomas
American, 1868-1956
Landscape
Oil on board, signed and inscribed: "To Mrs. Higbee, with compliments of S. Seymour Thomas"
The riverside landscape rendered in soft color, in a silvered wooden frame.
Sight: 8 1/2 x 12 1/2 in. (21.59 x 31.75 cm.), frame: 13 x 16 1/2 in. (33.02 x 41.91 cm.)
The Wallace Estate: Lee Renfrew Wallace and her husband Mahlon Brookings Wallace III lived an extremely happy and luxurious life filled with world travels, safaris, collecting, and philanthropy. From backgrounds in race-horse breeding and championship cattle ranching, the socialite couple paid homage to the St. Louis area community in a variety of ways.
Mr. Wallace served as Director of Commerce Bank, President of the St. Louis Zoo Friends Board, and was charitable to numerous organizations he believed in. Behind every great man is a better woman, and his wife Lee was renowned for being the glue of the family while she warmly served as Director of Development for local educational institutions and made an impact with her lasting spirit. The couple’s art collection ranges in style and period and spans a broad price-point.
- THE WASHINGTON MEMORIAL FROM A
THE WASHINGTON MEMORIAL FROM A MONUMENTAL DESIGN BY WILLIAM ROSS WALLACE ESQ. Engraved on wood and printed in colors by J.W. Orr New York. Published and for sale by W.G. Cordray Brooklyn N.Y. Unframed - 31 in. x 18 1/4 in. sheet size.
- HAROLD T. HOLDEN (AMERICAN, B.
HAROLD T. HOLDEN (AMERICAN, B. 1940)Harold T. Holden
American, b. 1940
Thank You Lord , 2009
Bronze
Signed, dated, and editioned 11/25. Man in long coat praying with face and palm turned upward in thanks. Mounted to wooden base.
Bronze: 18 in. (45.72 cm.), overall: 19 3/4 in. (50.17 cm.)
The Wallace Estate: Lee Renfrew Wallace and her husband Mahlon Brookings Wallace III lived an extremely happy and luxurious life filled with world travels, safaris, collecting, and philanthropy. From backgrounds in race-horse breeding and championship cattle ranching, the socialite couple paid homage to the St. Louis area community in a variety of ways.
Mr. Wallace served as Director of Commerce Bank, President of the St. Louis Zoo Friends Board, and was charitable to numerous organizations he believed in. Behind every great man is a better woman, and his wife Lee was renowned for being the glue of the family while she warmly served as Director of Development for local educational institutions and made an impact with her lasting spirit. The couple’s art collection ranges in style and period and spans a broad price-point.
- HAROLD T. HOLDEN (AMERICAN, B.
HAROLD T. HOLDEN (AMERICAN, B. 1940)Harold T. Holden
American, b. 1940
Sodbuster , 2007
Bronze
Signed, dated, and editioned 2/20. A farmer with rifle seated on plow, mounted to wood base with plaque.
Bronze: 11 1/2 x 12 3/4 in. (29.21 x 32.39 cm.), overall: 13 1/2 x 14 in. (34.29 x 35.56 cm.)
The Wallace Estate: Lee Renfrew Wallace and her husband Mahlon Brookings Wallace III lived an extremely happy and luxurious life filled with world travels, safaris, collecting, and philanthropy. From backgrounds in race-horse breeding and championship cattle ranching, the socialite couple paid homage to the St. Louis area community in a variety of ways.
Mr. Wallace served as Director of Commerce Bank, President of the St. Louis Zoo Friends Board, and was charitable to numerous organizations he believed in. Behind every great man is a better woman, and his wife Lee was renowned for being the glue of the family while she warmly served as Director of Development for local educational institutions and made an impact with her lasting spirit. The couple’s art collection ranges in style and period and spans a broad price-point.
- PHILIP HENRY HOLMES (ME, 1845-1915)
PHILIP HENRY HOLMES (ME, 1845-1915) Mount Washington and Mount Madison from Shelburne, N.H., oil on canvas, signed lower left, dated 1865, a panoramic view depicting the two giants looming over a pastoral valley with sheep, cows and a farmer in his hay wagon returning empty to his wife waiting in front of their log cabin road. In gilt molded panel frame, OS: 28 1/2" x 48 1/2", SS: 23 1/2" x 43 1/2", good condition.
- A Worcester wall plate, depicting
A Worcester wall plate, depicting figures in a river landscape, indistinctly signed J T Callowhill, 40.5cm diameter
- Hamilton George Washington Political
Hamilton George Washington Political Print handcolored engraving 11 x 17 1/2 inches.
- Walter Heath Williams (British
Walter Heath Williams (British 1835-1906) Country Castle oil on canvas initialed WW (lower left) 12 x 10 inches.
- STEPHEN SEYMOUR THOMAS (AMERICAN,
STEPHEN SEYMOUR THOMAS (AMERICAN, 1868-1956)Stephen Seymour Thomas
American, 1868-1956
Landscape
Oil on board
Signed and inscribed: "To Mrs. Higbee, with compliments of S. Seymour Thomas". Riverside landscape in soft color. Silvered wooden frame.
Sight: 8 1/2 x 12 1/2 in. (21.59 x 31.75 cm.), frame: 13 x 16 1/2 in. (33.02 x 41.91 cm.)
The Wallace Estate: Lee Renfrew Wallace and her husband Mahlon Brookings Wallace III lived an extremely happy and luxurious life filled with world travels, safaris, collecting, and philanthropy. From backgrounds in race-horse breeding and championship cattle ranching, the socialite couple paid homage to the St. Louis area community in a variety of ways.
Mr. Wallace served as Director of Commerce Bank, President of the St. Louis Zoo Friends Board, and was charitable to numerous organizations he believed in. Behind every great man is a better woman, and his wife Lee was renowned for being the glue of the family while she warmly served as Director of Development for local educational institutions and made an impact with her lasting spirit. The couple’s art collection ranges in style and period and spans a broad price-point.
- Harold Frank Wallace (1881-1962)/Above
Harold Frank Wallace (1881-1962)/Above the Loch/watercolour, 17.5cm x 34.5cm and/Vincent R Balfour Browne (1880-1963)/Uneasy/tondo/watercolour, 14.5cm diameter
- A Group of Four Staffordshire Figures
19TH
A Group of Four Staffordshire Figures
19TH CENTURY
depicting "Wallace" with shield; a man with dog and guitar; a Scotsman and woman and a man with bagpipe.
Height of tallest, 16 1/4 inches.
- WALLACE K. HARRISON, (2) ARCHITECTURAL
WALLACE K. HARRISON, (2) ARCHITECTURAL DRAWINGS Wallace K. Harrison (American, 1895-1981), c. 1925, watercolor and graphite on paper, one inscribed "Harrison" verso, the other "Helme & Corbett" and illegible title, loose and unframed, 21"h x 15"w (sheet)
- After William Guy Wall RAPIDS ABOVE
After William Guy Wall RAPIDS ABOVE HADLEYS FALLS Hand-colored aquatint
Estimate:$700-$1,000
- SIR WILLIAM HAMILTON, ENGRAVING,
SIR WILLIAM HAMILTON, ENGRAVING, PLATE 84 Sir William Hamilton (English, 1719-1805) and Pierre-Francois Hugues d'Hancarville (French, 1719-1805), "Attic black figured Hydria". colored aquatint engraving, from "Antiquites Etrusques, Grecques et Romaines", Francois Morelli, Naples,1766-1776, Paris, 1785-1788, matted and framed under glass, 13"h x 17.5"w (sight), 24"h x 34"w (frame)
- Claude Horsfall (British, 20th
Claude Horsfall (British, 20th Century)/Winter Landscape: Carr Head Hall, Cowling, North Yorkshire/signed and dated '30/oil on canvas, 50cm x 67cm/and a print of a ploughing team, 38cm x 96.5cm
- J. W. WALLACE, EAST TN LANDSCAPEJames
J. W. WALLACE, EAST TN LANDSCAPEJames Wiley Wallace (Tennessee, 1852-1921) oil on board pastoral landscape depicting sheep at rest on a hillside; sunlight streaming through a grove of trees in the background. Signed J.W. Wallace lower right and dated 1903(sp?). Retains the original carved giltwood frame. 14 1/4" H x 17 1/2" W sight, 20 1/4" H x 23 1/2" W framed. Circa 1903. Provenance - James Wiley Wallace played a prominent role in Knoxville's artistic and civic scenes at the turn of the 20th century. He had no fewer than 16 original works exhibited at the 1910 Appalachian Exposition of Fine Art in Knoxville in addition to 7 monotypes. In addition to being an artist who depicted rural life and regional history, he served as editor and chief of the Knoxville Daily Tribune from 1880-1887. An interesting 1882 Harrisburg, PA newspaper article references a street encounter between William Rull, editor of the Republican "Chronicle" and Wallace, editor of the Democratic "Tribune". The altercation stemmed from a derogatory article Rull wrote about Wallace. Rull struck Wallace and Wallace responded by drawing a revolver and firing at Rull, missing him. Ironically, Wallace later served as a justice of the peace in the mid 1890s.
Condition:
Very good condition overall, minor surface grime revealed by blacklight, primarily in upper left hand corner.
- BLAIR BUSWELL (AMERICAN, B. 1956)Blair
BLAIR BUSWELL (AMERICAN, B. 1956)Blair Buswell
American, b. 1956
Panned Out
Bronze
Signed, editioned 23/32. Half-length portrait of a miner in a hat holding a gold mining pan. Mounted to wooden base.
Acquired August 26th, 2005 from Wilcox Gallery of Jackson, Wyoming and accompanied by bill of sale and Certificate of Authenticity.
Bronze 19 x 10 x 12 in. (48.26 x 25.40 x 30.48 cm.), overall: 20 1/2 in. (52.07 cm.)
The Wallace Estate: Lee Renfrew Wallace and her husband Mahlon Brookings Wallace III lived an extremely happy and luxurious life filled with world travels, safaris, collecting, and philanthropy. From backgrounds in race-horse breeding and championship cattle ranching, the socialite couple paid homage to the St. Louis area community in a variety of ways.
Mr. Wallace served as Director of Commerce Bank, President of the St. Louis Zoo Friends Board, and was charitable to numerous organizations he believed in. Behind every great man is a better woman, and his wife Lee was renowned for being the glue of the family while she warmly served as Director of Development for local educational institutions and made an impact with her lasting spirit. The couple’s art collection ranges in style and period and spans a broad price-point.
- Painting, William Henry Hilliard
Painting, William Henry Hilliard (Washington, D.C., 1836-1905), river landscape, signed lower right "W.H. Hilliard", oil on canvas, 14 x 10 in.; gilt wood and composition sight molding. Original stretcher and tacking edge, paint from frame edges, craquelure; frame with losses, missing outer frame.
- WILLIAM COVENTRY WALL (AMERICAN,
WILLIAM COVENTRY WALL (AMERICAN, 1810 - 1886) 14.25" x 18.25" (image); 16" x 20" (sheet) "View Of The City Pittsburgh In 1817", 1877. Chromolithograph on paper, early view of Pittsburgh at the confluence, with riverboats, Taken from a sketch drawn by Mrs. E. C. Gibson, wife of Jas. Gibson, Esq. of the Philadelphia Bar, while on her wedding tour in 1817, in wood frame, 19.5" X 23.75". Provenance: Daniel M. Fawcett Estate private collection, Pittsburgh, PA.
- HAMILTON Hildegard Hume (American
HAMILTON Hildegard Hume (American 1898-1970): ''View from Hotel Irving Gramercy Park New York City'' Oil/Paper sight size 14 1/4'' x 10 1/2'' signed lower left dated 1969 gold and silver wood frame 22'' x 18 1/2''.CONDITION: Several small flecks of paint loss.
- HARRY DRAPER WALLACE (CANADIAN,
HARRY DRAPER WALLACE (CANADIAN, 1882-1977) HARBOUR STUDIES HARBOUR STUDIES
- PHILIP HENRY HOLMES (ME, 1845-1915)
PHILIP HENRY HOLMES (ME, 1845-1915) "Mounts Madison and Washington from Shelburne, New Hampshire", oil on canvas, signed lower right and dated 1870, a herdsman with cows in foreground, distant village with two church steeples, housed in a modern gilt deep cove frame, OS: 26" x 42", SS: 17 1/2" x 33 1/2". Cleaned.
- CHARLES BRADFORD HUDSON (AMERICAN,
CHARLES BRADFORD HUDSON (AMERICAN, 1865-1939)Charles Bradford Hudson
American, 1865-1939
Landscape
Oil on canvas
Signed lower right. Desert landscape with pale lavender mountains. Painted wooden frame adhered with an old Gump's San Francisco label to verso.
Stretcher: 20 x 38 1/2 in. (50.80 x 97.79 cm.); frame: 26 x 44 in. (66.04 x 111.76 cm.)
The Wallace Estate: Lee Renfrew Wallace and her husband Mahlon Brookings Wallace III lived an extremely happy and luxurious life filled with world travels, safaris, collecting, and philanthropy. From backgrounds in race-horse breeding and championship cattle ranching, the socialite couple paid homage to the St. Louis area community in a variety of ways.
Mr. Wallace served as Director of Commerce Bank, President of the St. Louis Zoo Friends Board, and was charitable to numerous organizations he believed in. Behind every great man is a better woman, and his wife Lee was renowned for being the glue of the family while she warmly served as Director of Development for local educational institutions and made an impact with her lasting spirit. The couple’s art collection ranges in style and period and spans a broad price-point.